It’s arguable that the most important thing a novel should do is follow an arc of change. If nothing changes, do you really have a story?
So, perhaps the first step to take when plotting your novel should be to decide, at the simplest level, what’s going to change.
That’s easier said than done, but you can make this easier for yourself by deciding what’s going to happen at the beginning of the novel, and what’s going to happen at the end.
When you know what needs to happen at the beginning and the end, it’s easier to fill the middle. So, start by writing a two-sentence summary of your novel. The first sentence should explain what will happen to kick the story off. The second should explain how this situation will be resolved at the end.
Here’s how you can lay pen to paper and get those two sentences down.
Sentence one: inciting incident
First, come up with an inciting incident. A scene that raises the main story question.
This incident should happen early to hook readers. Think about what’s going to cause the story to really begin.
You can launch right into this scene, or you might need a couple of character-building scenes first to help readers care about and/or identify with the main character.
Before you come up with your inciting incident, it’ll be helpful to pin down your genre and theme. Your central plot thread should reflect your genre and create a sense of narrative drive that keeps readers engaged as they turn pages to find out what happens.
Genre and theme
Your genre and theme should inform the inciting incident.
- The inciting incident for an action story is usually a threat from an antagonist.
- The inciting incident for a romance story is usually two individuals meeting in an unexpected or interesting way.
- The inciting incident for a mystery story is usually the discovery of a crime or a piece of evidence.
- The inciting incident for a coming-of-age story is usually an event that disrupts the main character’s perspective on the world or a specific situation.
Sentence two: climax
To write your second sentence, come up with a climax for your novel. This event should answer the question raised by the inciting incident.
Again, genre is important here.
- The climax for an action story is usually the defeat or success of the antagonist.
- The climax for a romance story is usually the two individuals either committing to each other or splitting.
- The climax for a mystery story is usually the bringing of a culprit to justice (or the failure of bringing a culprit to justice).
- The climax for a coming-of-age story is usually an event that reframes the main character’s perspective on the world or a specific situation as they develop a new outlook and grow emotionally.
Sum up the middle
With your two-sentence summary down, you can wedge a third in the middle. This sentence should sum up what’s going to happen between point A and point B.
From here, you should be able to use this three-sentence summary to direct your novel.
These three sentences will be brief. By no means will they substitute for a novel outline. But they should give you the first signpost you need to get your book on paper.
Need more help with your novel? Take a look at how my line editing service works.
About Charlotte
Charlotte is an award-winning writer and line/copyeditor who writes and edits for clients all over the world. She also works on the fiction team for Ambit, a UK literary and arts magazine.
She holds an international literary prize from Hammond House Publishing Group, two writing-related degrees, various marketing certifications, and training certificates from the Chartered Institute of Editing and Proofreading, of which she is a Professional Member.
Charlotte’s work has appeared in several anthologies, magazines, and literary journals, including Indigomania, Dream Catcher, and The Curlew.
She has also created a series of free self-editing cheat sheets to help new writers hone their fiction before sending their work off to a professional editor.
Progressive complications: the tool you need to write stronger conflicts
Conflict is essential to stories of all kinds. A story can’t exist with conflict. If your character could get whatever they wanted at the beginning of the story, there would be no reason to write it. Whether you’re writing a novel or a short story, conflict is what keeps your story going, what keeps the…
Where to start when plotting a novel
It’s arguable that the most important thing a novel should do is follow an arc of change. If nothing changes, do you really have a story? So, perhaps the first step to take when plotting your novel should be to decide, at the simplest level, what’s going to change. That’s easier said than done, but…
Why you should write scenes, not chapters, in your first draft
Plotting and writing a string of chapters long enough to fill a book is daunting. It’s impossible to know how many chapters you’ll need. And it’s impossible to order all of your chapters before you start writing and feeling your way around. That’s why it’s much easier to write your first draft in scenes instead…
How to write a love triangle
Although readers love a well-written love triangle, writing one is easier said than done. Love triangles that aren’t carefully plotted often end up predictable and clichéd. But when well developed and carefully thought out, love triangles can be great, moving plot devices that strengthen your story. What is a love triangle? A love triangle is…
3 ways to work out what your story theme is
I don’t need to know what my story theme is, I hear you say. Just let me crack on with my writing. I know. Hitting pause to think about your theme doesn’t feel like a priority when you’ve got all these great story ideas to get down on paper. Plus, some writers feel that identifying…
2 top strategies to write a great first sentence
Regardless of which genre you write, your first sentence needs to seduce your readers. Perhaps your first sentence is an invitation. A promise. A tease. A shock. A declaration. Whichever approach you adopt, this sentence must be irresistible. It must hook readers and pull them into the page. (Remember that lots of potential buyers read…
6 things to get right in your novel’s opening chapters
Writing a novel is a massive undertaking, regardless of how many books you’ve already written. And, no matter how many how-to books you’ve read and how many fiction workshops you’ve attended, it’s easy to miss the fundamentals when writing your opening chapters. When you submit your novel to an agent or publisher, they will almost…
How to write sensory details
When we include sensory details in our writing, we can evoke our readers’ senses of sight, sound, touch, taste, and smell. This is because painting a strong scene in your reader’s imagination helps them pull similar scenes from their own memories. Here, we’ll explore the science behind why evoking the senses can be so compelling…
What ‘show don’t tell’ really means
Lots of editors are quick to tell writers ‘show, don’t tell’. But this advice has been given so many times that we often forget to explain what it really means. I’ll break down the concept here so you can make the most of this advice. In brief, ‘telling’ is explaining what’s happening. Meanwhile, ‘showing’ is…
Using specific detail to bring your writing to life
Adding detail is essential to writing great fiction. But how specific is the detail in your manuscript? If I had received a pound for every time one of my writing tutors circled a phrase in my fiction with a note saying ‘specific detail please’ during my MA days, I’d be rich. There are likely lots…